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DTSTART:19700405T030000
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UID:5ca26b23b7fab9d13db2d164ddb944fe-0@emus.space
DTSTAMP:20261017T021203Z
DTSTART;TZID=Australia/Sydney:20260823T163000
DTEND;TZID=Australia/Sydney:20260823T180000
SUMMARY:Brieley Cutting with Mark Oliveiro (Piano & Live Electronics)
LOCATION:Master Music Studios\, 80 Wentworth Park Road\, Glebe\, NSW\, 2037
URL:https://events.humanitix.com/brieley-cutting-with-mark-oliveiro
DESCRIPTION:Domenico Scarlatti (1685-1757) - Sonata in E major K.380\, Sonata in D minor K.9\, Sonata in B flat major K.551\nFranz Liszt (1811-1886) - Petrarch Sonnet 104\, from Years of Pilgrimage (Second Year\, Italy) Frederic Chopin (1810-1849) - Nocturnes Op.62 No.2 in E major &amp\; Op.72 No.1 (posth) in E minor\nMark Oliveiro - new work premiere\, piano with live electronics\, performed with Mark Oliveiro\nLudwig van Beethoven (1770-1826) - Sonata in A flat Major Op.110\nPianist Brieley Cutting will perform a melodious program of piano music from the established canon presented alongside a new work from local Sydney composer Mark Oliveiro. Commencing with a fresh opening\, Brieley has selected three Scarlatti Sonatas. Concise\, binary gems\, these were composed by an Italian producing music for the royal court of Madrid in the first part of the 1700s. Selected from the 550 keyboard sonatas from this composer\, these miniatures offer clean lyricism and clarity\, and are examples of the style gallant with their post-Baroque focus on elegance instead of heavy formality. The program will then move to the Parisian salons of the mid-1800s with three Romantic lyrical stories: Chopin’s Nocturnes in E major and E minor\, followed by Liszt’s non-verbal Sonnet\, also in E major. Inspired by words of Petrarch\, an Italian Renaissance poet from the 1300s\, Liszt’s Sonnet is based on a two chord idea - a warm\, grounding major chord\, followed by one that is augmented\, and more unstable\, tense. Perhaps Liszt was …\n\nTickets: https://events.humanitix.com/brieley-cutting-with-mark-oliveiro
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